she who lives on the road to war
created by Rosy Simas
This work is dedicated to Rosy’s mother, Laura Waterman Wittstock (Seneca, Heron Clan, 1937-2021) who always worked for peace, community, and the survivance of Native people.
The October 7, 2022 performance of she who lives on the road to war is being performed by: Jessika Enoh Akpaka, Erin Drummond, Sam Aros Mitchell, Valerie Oliveiro, Pedra Pepa, Judith Holo Shuǐ Xiān and Taja Will.
Credits & Thank Yous
Installation:
Film/Mapping: Rosy Simas
Composer/Musician: François Richomme
Lighting/Technical consulting: Heidi Eckwall
Maple sapling structure design/fabrication: Christopher Lutter-Gardella, Richard Parnell, Louis Kaufman, Rosy Simas & Sam Aros Mitchell.
Maple sapling structure paper design/fabrication: Rosy Simas & Jeffrey Wells
Performance:
Choreographer: Rosy Simas
Composer: François Richomme
Production Manager: Sequoia Hauck
Production Assistant: Atim Opoka
Created in collaboration with performers: Jessika Akpaka, Lelis Brito, Erin Drummond, Sam Johnson, Sam Aros Mitchell, Valerie Oliveiro, Lela Pierce, Pedra Pepa, Sharon Picasso, Judith Holo Shuǐ Xiān, Jeffrey Wells, Taja Will.
Thank you to those who assisted with the installation: Carolyn Payne, James Simas.
Thank you Reggie Spainer, Boris Oicherman, and all the Weisman staff.
Thank you All My Relations Arts.
Thank You Bonnie Urfer, Mike Miles and Anathoth Farm for granting us access to places to harvest the maple saplings.
Thank you to all the individual donors of Rosy Simas Danse.
IInitial research for she who lives on the road to war was supported by the Weisman Art Museum Target Studio for Creative Collaboration program and the Pamela Beatty Mitchell Residency in Contemporary Dance at Colorado College Department of Theater and Dance.
The creation of she who lives on the road to war is made possible by a Native Arts and Cultures Foundation SHIFT award, The MAP Fund, and the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation.
Projects of Rosy Simas Danse are supported by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and the McKnight Foundation.
Rosy Simas is a 2022 Doris Duke USA fellow and a 2022 McKnight Choreographer fellow.
October 7, 202
Performance Performer and Production Bios:
Jessika Enoh Akpaka (performer) is a Creatrix born in Memphis and based in the Twin Cities. She is committed to liberation of self, humanity, and Earth through artistic expressions and spirituality. She is most recognized as a dancer and choreographer. Dancing , training , and performing while living in Memphis, her formal training began in musical theater at Lundstrum Center for the Performing Arts in 2009. She then trained at Perpich Center for Arts Education , TU Dance, and the University of Minnesota and received scholarships to study in New York at Garth Fagan Dance and Minnesota’s ARENA Dances. Currently a member of local companies Rosy Simas Danse and Atlantis13, Jessika has also worked and performed with STRONGMovement and SHAPESHIFT. She has choreographed for and taught students at Ballet Co. and Brooklyn Park. Jessika co-produced , choreographed , and performed in the sold out production “Listen.” that debuted at the Lab Theater in 2018.
Erin Drummond (performer) is a multidisciplinary artist from Minneapolis. She has travelled nationally and internationally as a dancer and choreographer to work on a wide range of performance projects, and currently directs the dance program at Winona State University. Her artwork often explores mystery and the unknown, drawing philosophical and physical inspiration from forces of nature.
Sequoia Hauck (production manager/community engagement) is a Native (Anishinaabe/Hupa) queer multidisciplinary artist based in the Twin Cities on the unceded and ancestral Dakota lands of the Wahpekute peoples. Sequoia's focus is on creating film, poetry, and performance art that decolonizes the process of art-making. They make art surrounding the narratives of continuation and resiliency among their communities. They are a graduate from the University of Minnesota-Twin Cities with a B.A. in American Indian Studies. Sequoia has worked on and offstage with organizations such as Aniccha Arts, Art Shanty Projects, Exposed Brick Theatre, The Jungle Theater, Māoriland, An Opera Theatre (AOT), Pangea World Theater, Patrick's Cabaret, Poetry and Pie, Rosy Simas Danse, The Southern Theater, Taja Will Ensemble and Turtle Theater Collective. Sequoia’s film “Resiliency is Inherited'' was in the 2022 North by North International Film Festival along with the dance film they created in collaboration with Taja Will, “LÍNEAS de SANGRE”.
Sam Johnson (performer) Sam is a performance maker and doer in Minneapolis. He makes and does as a part of SuperGroup and with choreographers throughout Minneapolis. He also teaches dance to high schoolers at SPCPA.
Sam Aros Mitchell (performer) is an enrolled member of the Texas Band of Yaqui Indians. His research focuses on the transformative work of First Nations and Native American dance and theatre artists. Sam has danced in contemporary dance companies for 25 years, touring nationally and internationally.
Valerie Oliveiro (performer) Born in Singapore and based in the Twin Cities, Valerie is a performance maker, performer, designer and photographer. She is Co-Artistic Director Red Eye Theater collective and runs MOVO SPACE, a studio incubator for performance work and research.
Atim Opoka (production assistant) is Ugandan American artist from Acholi tribe of the LUO People. As a Songwriter, Vocalist, Composer, Producer, Actress, and Teaching Artist she is inspired to share authentic stories. She believes that everyone has the power of being an artist. Storytelling is a birthright. It all depends on the environment that surrounds the individual.
Pedra Pepa (performer) is a Caracas born, Minneapolis based queer performance maker. They are the founder/director of Viva la Pepa, generating collective, unapologetic performances crossing multiple mediums; sourcing from the overlapping values of Latinx and Queer cultures: passion, melodrama, decadence & sensuality. An inaugural Jerome Hill Artist Fellow, Pedra is a teaching artist with the Pillsbury House Theatre and Upstream Arts. They are on an ongoing transnational collaboration with Argentinian choreographer Celia Argüello. Their most current research in the US, Contained, Alive has taken many shapes over the past year and will be performed next July 2021. During the day, Pedra co-creates children and family theater programming, and at night Pedro entertains adults as their draglesque persona Doña Pepa.
François Richomme (composer) is a musician, composer, sound engineer and sound designer based in Montpellier, France. His work investigates the relation between sound/music and movement/dance, how vibration affects the body, movements of sounds using multiple speaker installations, and explores how dance and choreography can become a source language defining musical structure in composition.
Judith Holo Shuǐ Xiān (performer) is an interdisciplinary choreographer, improviser, and sound artist. She has enjoyed presenting works at venues including Paikka, Fresh Oysters Performance Research (R.I.P.), Public Functionary, Bryant Lake Bowl, Walker Art Center, The Southern Theater, Intermedia Arts (R.I.P.), Frey Theatre (Twin Cities, MN), Rochester Art Center and 9 Herkimer Place (Brooklyn, NY). She has recently enjoyed performing for/collaborating with others including Dua Saleh, Rosy Simas, Heather Kravas, Shayna Allen, lazer axelrood, Valerie Oliviero, Leila Awadallah, Judith Howard, Shayna Allen, Pramila Vasudevan, Megan Mayer, Emily Gastineau, and Erin Drummond. She is a 2017 Q-Stage: New Works and 2019 Momentum: New Dance Works recipient, and was part of the 2022 Red Eye Works-In-Progress cohort.
Jeffrey Wells (performer/fabricator) is an interdisciplinary performance creator and producer working in Minneapolis for the past 12 years. He is a co-founder of the performance ensemble SuperGroup, which has created over 30 performance projects since its inception in 2008. SuperGroup has performed throughout the Twin Cities and nationally and is the recipient of a 2017 McKnight Choreographer Fellowship. Aside from SuperGroup, Jeffrey has worked with several arts organizations in a producing and administrative capacity including Red Eye Theater, DanceMN, Project Success, and Cornerstone Theater. Jeffrey is an accomplished performer and has worked with many performance makers including Pramila Vasudevan, Eric Larson/Toot Performance, Karen Sherman, Fire Drill, and Judith Howard among others. Jeffrey is also a Guild Certified Feldenkrais Practitioner.
Taja Will (performer) is a queer, chronically ill, Latinx (Chilean) adoptee, performer, choreographer, somatic therapist and Healing Justice practitioner based in Mni Sota Makoce, on the ancestral lands of the Dakota and Anishinaabe. Taja’s approach integrates improvisation, somatic modalities, text and vocals in contemporary performance. Their aesthetic is one of spontaneity, bold choice making, sonic and kinetic partnership and the ability to move in relationship to risk and intimacy. Will’s work explores visceral connections to current socio-cultural realities through ritual, archetypes and everyday magic.